One Indian’s Cool Is Another Indian’s Science Fiction 

The majority of you would have seen the iconic Liril ad, with Karen Lunel, the ‘Liril girl'.

What words come to mind (for most of you) when you see this commercial?

The chances are, it's the following: Liril, girl, waterfall, fresh, cool, lime, soap. Perhaps swimsuit as well.

And when the film was aired and research conducted by Hindustan Unilever Ltd., I'm sure that most of the words that they wanted consumers to remember were words that consumers did, indeed, remember.

Remember this vintage @Liril_India ad which made the nation go ‘La..La La La La…' #ThrowbackThursday pic.twitter.com/2uJi7uob62

September 15, 2016

What if the same film was released today, in the complex world of digital media and social media?

It'll probably get hammered, with many users on social media focusing on ‘nakedness', ‘shameless', ‘forward', ‘non-sanskari' and so on.

Because for many Indians who have not been exposed to such imagery as seen in the harmless Liril ad, what the ad may cue to girls in their villages or towns may seem truly frightening.

To them, even this harmless Liril ad is ‘near-future science fiction', the science fiction sub-genre that imagines a future only a short time away from the period in which it is produced.

To them, the imagery is not real; it is an imagery that threatens to become real.

And that's frightening.

And that's the point of this article: the complexity of creating communication for the many Indias that co-exist.

In an earlier, analogue India, an India that did not see an electrified rural India, where mobile telephony did not exist, these complexities did not exist.

Ads were created for the privileged and elite and modern India, largely the metros. Media planners conveniently and easily divided India into rural and urban (in the broadest division) and placed communication accordingly.

The gap between the ‘modern' Mumbai consumer and the ‘modern' Raipur or Trichy or Kanpur consumer was not a great gap – and ‘near-future science fiction', as a result, was not far away from what they saw in their own lives.

Today, in a digital India and an India that is largely electrified, and in an India where mobile telephony is pushing itself deeper and deeper, the lifestyle, tradition and imagery gap comes to the fore when everyday urban images are transmitted and seen.

• A girl in a skirt.
• A girl speaking on the mobile phone.
• A girl driving a car.
• College students of different genders talking sitting alone, talking and laughing.
• A girl in a shirt and trousers coming home to a husband holding a baby in his arms as he cooks dinner.
• Young people in bars.
• A lesbian couple.
• A girl on a flight.
• A woman making the decision on a house to buy, a car to buy.
• A woman celebrating her second marriage and her parents supporting her.

All everyday images of life in large parts of India and reflected in advertising communication; images that the urban Indian would relate to. Images that the consumer would like or dismiss without worrying about it.

But in other parts of India, none of what I have called ‘everyday' imagery is ever seen.

Ever.

And that makes these seemingly innocuous ads threatening and frightening.

And that's the challenge for the marketer and the creative community today. All of them live in an urbanized world, and in this world of echo chambers, they are blind to what their ads do to the larger world outside their echo chamber.

When they craft and write and create, they believe that their creations reflect life as it is.

Unfortunately, to many, it's not reality – it's near future science fiction.

A few months ago, I spoke to a group of planners in one of India's largest advertising agencies. None in the group had visited the Ardh Kumbh held earlier in the year.

That got me to ask young ad professionals each time I meet one or a few: When did you last journey by train? When did you last visit a small town? A village?

Sadly, the answers tell me that the industry, as a whole, does little to get out of the echo chamber.

And they have to.

History teaches us of the danger, in the communications business, of living in a bubble.

In the early eighties, the echo chamber was the ‘English speaking world.' The advertising industry knew only English and how to communicate to those who knew English, ignoring the world outside.

That's why they were caught flat-footed when a few agencies started speaking to the other, much larger India in Hindi, both the language and the idiom. Advertising can ignore this new challenge or embrace it. We've seen decades of the marketing community talking about the many Indias – now it's time to recognise that you must, therefore, learn to communicate to these many Indias.

Or the ads you create which, in an earlier era, would have entered popular culture (as Liril did) could frighten your consumers as they interpret the ads as near-future science fiction.

Anant Rangaswami is the Editor of MELT, on WION, and a veteran journalist on advertising, media and marketing.

The views expressed here are those of the author and do not necessarily represent the views of BloombergQuint or its editorial team.

Share

• Twitter
• WhatsApp
• Facebook
• Reddit
• Email